Published in 2001 as part of Kinema Junpo’s long running Filmmakers series, this edition drifts through the sensuous world of Wong Kar-wai, assembling a mosaic of atmospheric film stills, production ephemera, and Japanese-language critique. Across its pages, familiar touchstones like Chungking Express, Fallen Angels and In the Mood for Love surface as defining works capturing the moment Wong’s cinema slipped from cult fascination into global mythology. Interviews and essays circling recurring collaborators including Tony Leung and Maggie Cheung also feature, while probing the working methods that underpin the legendary director’s famously fluid productions.